The film is meant to be carried by it's environment. Since it would be rather still, the lion's share of the movement will be from the camera and from the light. I've set my brother's camera to Auto-Iris, which means the camera adjusts to the light automatically, not unlike the way our eyes work. When a bright spot takes up most of the frame, everything else becomes dark. When the light switches off, the eye adjusts itself to the darkness.
Below are some simple reference videos that I've taken in my home in Israel. I will later attempt to simulate these lighting effects, whenever a window is opened or a light is switched on and light floods into the the dark abandoned room. Sans the purple streaks.
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